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"HD" is a pop confrontation, a "sonic invasion" marching and chanting for "GaGa, Gomez, Timberlake / give us a fucking break." Atom TM doesn't hide his feelings about the popular music industry and...
1000 Fragments is Ryoji Ikeda's first solo album, originally released in 1995 on Ikeda's own CCI label. As early as 1995, leading Japanese computer-manipulated sound composer Ikeda started his...
No acoustic sources or elaborate instrumentation is found on "Mantle," Pixel's fourth release for Raster-Noton over the last decade. Instead, the focus is put squarely on sharp pulses, syncopated...
The tale of the mythic Pentaki mountain has been engraved on a two-sided 12" by Kangding Ray. The north face of the peak is steep, abrasive, and has been the subject of many legends. It is said that...
Kuopio, the latest full length from Sasu Ripatti's Vladislav Delay moniker, doesn't sustain the same ferocity that his Espoo EP from this summer did, but that is probably for the best. In lieu of an...
Under the guise of minimal electronic music Raster-Noton have dispensed many styles over the years – playful, introspective, abstract, poppy – but rarely have they released anything as aggressive and...
Though always a controversial term, IDM comparisons are natural for Grischa Lichtenberger's new album for Raster-Noton, And IV (Inertia), which plays like Autechre funk filtered through Clarkian...
Senking's new outing for Raster is equal parts concision and propulsion. Comprised of two seven minute tracks, the EP begins with brazen, off-kilter drum programming augmented by a subtly modulated,...
Simple sonic events are unfolding themselves, evoking the sound of a Carl Orff children's ensemble. Pleasant and strange noises join a bass foundation that recreates the ground-shaking subsonic waves...
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